Showing posts with label GOLDENGIRLS. Show all posts
Showing posts with label GOLDENGIRLS. Show all posts

Tuesday, 9 June 2015

Top 5 Country Music Videos of 2015


So far in 2015, country stars have revealed a slew of music videos. Some have been side-splittingly funny, others have been sensual, a few have been simple and pointed, and a handful have been achingly honest, even to the point of being raw and heart-wrenching.
Topics like domestic violence, turmoil in marriages, cancer, death in combat and superheroes, as well as a lesson in how to be glamorously sassy, are all on display in The Boot’s picks for the Top 5 country music videos of 2015 (so far).

“Little Red Wagon”

Few singers are as saucy as Lambert, and her “Little Red Wagon” video features the singer in all of her platinum glory. As she’s said before, the song is simply sassy — a state of mind, not necessarily something with a whole lot of metaphorical meaning. 
The music video follows suit extremely well: Lambert puts her best glittery cowboy boot forward and embodies sass in big sunglasses, a retro bathing suit and a whole lot of sparkle. It’s fun, entertaining and, most of all, endlessly re-watchable.

Gilbert shows depth in the music video for “One Hell of an Amen,” and fans appreciated it. The song was inspired by real experiences Gilbert had: He lost a friend, Kory, to cancer and saw a friend lose a loved one, Jonathan E. Lootens, in combat. Both of these storylines are prevalent in Gilbert’s personal “One Hell of an Amen” video, and at the very end, it reads: “In honor of Jon and Kory, and all those who have fought the good fight.”

“Little Toy Guns”


Many fans connected with Underwood’s “Little Toy Guns” when it dropped, specifically because everyone can relate to conflict, especially between parents. The song’s heart-wrenching video cuts between a husband and wife screaming at one another and a little girl, who is wishing that she was anywhere but there. While it’s a hard video to watch at times, Underwood is able to offer a message of hope toward the end of the video.
We haven’t seen a music video as creative as Paisley’s “Crushin’ It” in a long time. The singer shows off his artistic side with this clip, which was created, drawn and animated all by himself (Pixar had better watch out!). Keeping in line with Paisley’s past videos, the “Crushin’ It” clip is laugh-out-loud funny, spotlighting several country music stars (Paisley, Keith Urban, Luke Bryan, Carrie Underwood, Blake Shelton, Little Big Town and more) as superheroes. We’d give him an Academy Award for this one!
Hunt’s “Take Your Time” music video is certainly the most heavy-hitting country music video of 2015 thus far. The clip was a completely unexpected treatment for this song, but once you see it, you’ll agree that it’s completely fitting, as Hunt tackles the big, dark, devastating — and entirely too real — issue of domestic violence. The footage is raw and serious and, unlike a lot of country music videos today, doesn’t try to capitalize on a flirty romance or scantily-clad females. Instead, it states the truth: Domestic violence needs to end.
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Source:theboot
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Thursday, 28 May 2015

Lewis makes a music video about her acting career



Jenny Lewis has been arrested — for excessive display of the most glorious pantsuits known to humankind, I assume! 

The former front woman of the cult-worshipped indie group Rilo Kiley, and star of this debatably over-acted Corn Pops commercial, has just released the music video for “She’s Not Me,” the second single off last year’s critically acclaimed The Voyager.

 The video features Lewis and a dream team of buddies — Fred Armisen, Feist, Zosia Mamet, and Saturday Night Live‘s Vanessa Bayer — spoofing scenes from Lewis’ prolific child acting career, including her guest spot on Golden Girls, the 1989 (trademark Taylor Swift) teen comedy Troop Beverly Hills, and late-’90s anti-old white dude parable Pleasantville.



Lewis, who directed the video herself, told Buzzfeed today, “The video is about former identities and incarnations of one’s self. It’s a super meta retrospective on my career.” While this may be true, it’s impossible to pretend that Lewis is unaware of the fact that her music exists in the age of the celebrity cameo and #throwbacks, and that her view counter lives in that world, too. These are the days of Iggy Azalea as Alicia Silverstone and Andrew Garfield showing up for Arcade Fire, and beautiful music videos don’t “break the internet” like zany, cross-promotional, allusion-heavy ones do.
The gimmick is forgivable mainly because of this shot of Zosia Mamet, whose physical comedy chops have sat unused and rusty for the last three seasons of Girls:

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Source:theverge
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